Publication:
Joker: Film, working class and post-truth

dc.contributor.authorUysal, Yıldırım
dc.contributor.buuauthorUYSAL, YILDIRIM
dc.contributor.departmentFen Edebiyat Fakültesi
dc.contributor.researcheridAFQ-8674-2022
dc.date.accessioned2024-10-24T11:20:23Z
dc.date.available2024-10-24T11:20:23Z
dc.date.issued2023-01-01
dc.description.abstractThe film Joker (2019) garnered huge interest from audiences worldwide and honored at the box office with an amount exceeding one billion dollars. Indeed, Joker has a class and political reflection on society. This article claims that the film Joker is a manifesto against the political forces that prioritize populist, authoritarian, and ruthless capitalist policies all over the world. The aim of our study is to analyze how the class movement is shown and examined in Joker. Joker's anti-system and anti-capitalist stance needs a sociological analysis; this analysis examines how Joker reflects people's subconscious and inspires class resistance. Another important point is to analyze the movie scenes with a descriptive analysis that will help us understand the transformation of the social movement. How the characters are assigned semiotically in the script is another requirement in terms of emphasizing what the film tells implicitly. It is important both to understand the chaos of the working class, which has not yet positioned itself in the production relations of the postmodern period after, and to see the film's recipe for why the working class should not incline towards right-wing populist politics. Understanding these two points will be the most important result and achievement of our study.
dc.identifier.doi10.5195/cinej.2023.587
dc.identifier.endpage417
dc.identifier.issn2159-2411
dc.identifier.issue2
dc.identifier.scopus2-s2.0-85204999214
dc.identifier.startpage389
dc.identifier.urihttps://doi.org/10.5195/cinej.2023.587
dc.identifier.urihttps://cinej.pitt.edu/ojs/cinej/article/view/587
dc.identifier.urihttps://hdl.handle.net/11452/47015
dc.identifier.volume11
dc.identifier.wos001165523900012
dc.indexed.wosWOS.ESCI
dc.language.isoen
dc.publisherUniv Pittsburgh
dc.relation.journalCinej Cinema Journal
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi
dc.rightsinfo:eu-repo/semantics/openAccess
dc.subjectCinema
dc.subjectWorking class
dc.subjectPost truth
dc.subjectJoker film
dc.subjectClass consciousness
dc.subjectFilm, radio & television
dc.titleJoker: Film, working class and post-truth
dc.typeArticle
dspace.entity.typePublication
local.contributor.departmentFen Edebiyat Fakültesi
local.indexed.atWOS
local.indexed.atScopus
relation.isAuthorOfPublication46fec09d-486a-42e2-91e5-3f57c10050b9
relation.isAuthorOfPublication.latestForDiscovery46fec09d-486a-42e2-91e5-3f57c10050b9

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