İbrahim Yalvacî’nin kasîde-i tantarâniyye tercümesi
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Date
2020-10-10
Authors
Öksüz, Yılmaz
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Publisher
Uludağ Üniversitesi
Abstract
Nizâmiye Medresesi müderrislerinden Muîneddin Ahmed b. Abdürrezzâk etTantarânî’nin (öl. 485/1092) Kasîde-i Tantarâniyye isimli eseri, üdebâ arasında kıymet bulan manzumelerden biridir. Cinas sanatının eşsiz örneklerini sunan ve ikili kafiye sistemine sahip olan eser, muhtelif kalemler tarafından Arapça olarak açıklandığı gibi Fars ve Türk diliyle de şerh ve tercüme edilmiştir. Eseri Türkçeye kazandıranlardan biri son dönem Osmanlı âlimi İbrahim b. Mehmed el-Yalvacî’dir (öl. 1293/1877). Tercümede kaynak metnin nazım biçimi, vezni ve kafiyesini kullanan Yalvacî, orijinal metnin başarısını gösterememiş; vezin açısından kusurlu, kafiye kelimeleri bakımından büyük ölçüde kaynak metne dayalı bir eser yazmıştır. Bazı beyitleri, uygun karşılıklar bularak çevirmeyi başarmış; fakat bunu eserin geneline yansıtamamıştır. Genellikle kaynak metnin kelimelerini aynen aktarmış veya küçük değişiklikler yaparak kullanmıştır. Kaynak metnin ikili kafiyesini belirli beyitlerde muhafaza edebilen Yalvacî, edebî sanatlara, bilhassa cinasa, yer vermeyi ihmal etmemiştir. Muhtevaya zenginlik katmaktan ziyade mana aktarımını tercih ederken övgüsü yapılan şahsı değiştirerek manzumenin türünü etkilemiştir. Dolayısıyla bir devlet büyüğü medhiyesi olan eser, naata dönüşmüştür. Bu makalede, Yalvacî’nin hayatından ve eserlerinden bahsedilerek söz konusu tercümenin incelemesi yapılmış ve transkripsiyonlu metni verilmiştir.
Qaseeda-i Tantaraniyyah of Muīnaddin Aḥmad b. Abdurrazzaq al-Tantarani (d. 485/1092), one of the teachers in Niẓāmiya Madrasah, is among the poems respected by the men of letters. The poem offers unique representations of wordplay and double rhyme system. It was explained in Arabic, and translations and comments were made in Turkish and Persian languages. One of the translators of this work into Turkish is the late period Ottoman scholar Ibrahim b. Mohammed al-Yalvajī (d. 1293/1877). In translation, Yalvacî, who used the poetic form, meter and rhyme of the source text, could not show the success of the original text. He is flawed in terms of the rhythm, and more based on source text with regard to rhyme words. The author managed to translate some of the couplets by finding appropriate meanings; however, he could not do so in all parts of the work. In general, the words in the source work were directly transferred or small changes were made. Yalvajī could preserve the double rhythm of the original poem in some couplets, and made use of literature arts especially the wordplay. He preferred the conveying of the meaning rather than enriching the content. However, he modified the type of praising the target person, and thus the genre of the poem was changed. As a result, the poem which was originally a praise for a senior statesman became a naat. In the present study, the life and works of Yalvajī were introduced, his translation of Qaṣeeda-i Ṭanṭarāniyyah was evaluated, and transcribed text of the translation was given.
Qaseeda-i Tantaraniyyah of Muīnaddin Aḥmad b. Abdurrazzaq al-Tantarani (d. 485/1092), one of the teachers in Niẓāmiya Madrasah, is among the poems respected by the men of letters. The poem offers unique representations of wordplay and double rhyme system. It was explained in Arabic, and translations and comments were made in Turkish and Persian languages. One of the translators of this work into Turkish is the late period Ottoman scholar Ibrahim b. Mohammed al-Yalvajī (d. 1293/1877). In translation, Yalvacî, who used the poetic form, meter and rhyme of the source text, could not show the success of the original text. He is flawed in terms of the rhythm, and more based on source text with regard to rhyme words. The author managed to translate some of the couplets by finding appropriate meanings; however, he could not do so in all parts of the work. In general, the words in the source work were directly transferred or small changes were made. Yalvajī could preserve the double rhythm of the original poem in some couplets, and made use of literature arts especially the wordplay. He preferred the conveying of the meaning rather than enriching the content. However, he modified the type of praising the target person, and thus the genre of the poem was changed. As a result, the poem which was originally a praise for a senior statesman became a naat. In the present study, the life and works of Yalvajī were introduced, his translation of Qaṣeeda-i Ṭanṭarāniyyah was evaluated, and transcribed text of the translation was given.
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Keywords
Türk-islam edebiyatı, Ahmed Tantarânî, Kasîde-i tantarâniyye, İbrahim Yalvacî, Tercüme, Turkish-islamic literature, Ahmad Tantarani, Qaseeda-i tantaraniyyah, Ibrahim Yalvaji, Translation
Citation
Öksüz, Y. (2020). "İbrahim Yalvacî’nin kasîde-i tantarâniyye tercümesi ". Uludağ Üniversitesi İlahiyat Fakültesi Dergisi, 29(2), 431-458.