2022 Sayı 15

Permanent URI for this collectionhttps://hdl.handle.net/11452/30928

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Browsing by Subject "Animals"

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    Piazza Armerina. Les soi-disant personnifications de Mauretania et India aux extrémités du portique de la grande chasse
    (Bursa Uludağ Üniversitesi, 2022-09-22) Steger, Brigitte
    Que signifient les décors des absides du portique de la Grande Chasse ? Les personnifications au centre des deux mosaïques font-elles allusion à des entités géographiques comme cela a été proposé jusqu’à présent ? Et, dans ce cas, lesquelles ? L’analyse iconographique de chaque pavement est suivie d’un bref récapitulatif et d’une discussion des hypothèses proposées à ce jour. En nous appuyant sur un ensemble de parallèles iconographiques et textuels, nous nous efforçons de mieux cerner la signification de ces images. Nous proposons quelques pistes sur la façon dont ces mosaïques s’insèrent dans le programme décoratif du portique de la Grande Chasse auquel elles appartiennent.
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    Seasonal animals in Roman mosaics
    (Bursa Uludağ Üniversitesi, 2022-09-27) Witts, Patricia
    Animals were popular subjects for Roman mosaics, featuring in many contexts. In his influential book, Season Mosaics of Roman North Africa, David Parrish included a short section on animals symbolising the Seasons, appearing either with personifications or representing the Seasons by themselves. This article widens the discussion and looks beyond North Africa. It begins by examining mosaics on which personifications of the Seasons ride animals and continues with those in which the association is progressively less direct, with a view to analysing which animals can be shown to carry seasonal connotations and whether those animals were associated with more than one season. Mosaics in which four animals appear without personifications are also considered in order to assess whether or not they represented the Seasons. The presence of other seasonal imagery supports this idea, while factors such as the context in which the animals appear and the order in which they are shown can suggest an answer one way or the other. The aim of the article is to demonstrate that whenever four animals are depicted in a mosaic it is worth considering whether they might have seasonal associations, while bearing in mind that this will not necessarily be the case in every instance.