Şni̇tke’ni̇n müzi̇kal sti̇li̇ ve vi̇yola konçertosu
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Date
2020-07-20
Authors
Ünaldı, Elena
Journal Title
Journal ISSN
Volume Title
Publisher
Bursa Uludağ Üniversitesi
Abstract
Alfred Şnitke, hem yaşam mücadelesi, hem de bestecilik kimliğini yaratma mücadelesinde müzisyenler için örnek olabilecek karakteri sayesinde adını tarihe yazdırmayı başarmıştır. Tanıklık ettiği dünya savaşı, yaşadığı dönemin siyasi zorlukları, sağlık problemleri onu yolundan vazgeçirememiş, avangard tarzıyla, polistilistik akımın yaratıcısı olarak XX. yüzyılın en tanınan bestecilerinden birisi olmuştur. Bestecinin hayatı ve müzikal anlayışı, müziğinin XX. yüzyıl için yeri ve öneminin ortaya konması, viyola konçertosunun form ve yorumlama açısından incelenmesi bölümlerinden oluşan çalışmanın, yaylı çalgılar ve özellikle viyola öğrencileri ve öğretmenlerinin başvurabilecekleri bir kaynak olması amaçlanmıştır. Çalışmanın son bölümünde viyola konçertosu, bir yorumcu ve öğretmenin gözünden hem genel anlamda müzikal hem de yorumuna yönelik olarak incelenmiş, faydalı olabilecek önerilerde bulunulmuştur. Çağdaş viyola repertuvarının en önemli eserlerinden biri olan Şnitke’nin viyola konçertosu, besteci tarafından polistilistik bir yaklaşımla yazıldığı için birçok farklı stili içinde barındırır. Ayrıca marş ve vals gibi farklı tarzlar arasında geçişler yapar. XX. yüzyılın en önemli viyola yorumcularından olan Yuri Başmet’e ithaf edilen konçertonun en önemli teması da sanatçının soyandaki “B-a-s-c-h-(m)- e-(t)” harflerinden oluşmaktadır
Alfred Schnitke’s life involved many big obstacles that caused him to struggle both to live and create an identity of a composer which became an idol for musicians thanks to his character that made him go down in history. World War II that he witnessed and experienced, difficult political situation of the time period, cerebral hemorrhages were never enough to change his path and he became the inventor of polystylistic movement as an avangart composer who became one of the best known composers of the 20th century. His life and musical understanding, importance and evaluation of his music for the 20th century, observation of the concerto in terms of form and interpreting are such chapters of this study, which aim to create a source for string department, especially for students and teachers of the viola discipline who could wish to consult to get information and ideas. At the last chapter of this study, Schnitke’s viola concerto is analyzed in details from the point of view of a performer and a teacher, both musically in general and also oriented for performans. Schnitke’s viola concert, acknowledged as one of the most important work of contemporary viola repertoire involves many different styles, as it is written in polystylist approach. It also changes over such styles such as march and waltz. As being as one of the most important viola performers in the history, Yuri Bashmet is the person to whom this concerto was dedicated. The most important theme of the concerto consists of the letters of this performer: “B-a-s-c-h-(m)-e-(t)”.
Alfred Schnitke’s life involved many big obstacles that caused him to struggle both to live and create an identity of a composer which became an idol for musicians thanks to his character that made him go down in history. World War II that he witnessed and experienced, difficult political situation of the time period, cerebral hemorrhages were never enough to change his path and he became the inventor of polystylistic movement as an avangart composer who became one of the best known composers of the 20th century. His life and musical understanding, importance and evaluation of his music for the 20th century, observation of the concerto in terms of form and interpreting are such chapters of this study, which aim to create a source for string department, especially for students and teachers of the viola discipline who could wish to consult to get information and ideas. At the last chapter of this study, Schnitke’s viola concerto is analyzed in details from the point of view of a performer and a teacher, both musically in general and also oriented for performans. Schnitke’s viola concert, acknowledged as one of the most important work of contemporary viola repertoire involves many different styles, as it is written in polystylist approach. It also changes over such styles such as march and waltz. As being as one of the most important viola performers in the history, Yuri Bashmet is the person to whom this concerto was dedicated. The most important theme of the concerto consists of the letters of this performer: “B-a-s-c-h-(m)-e-(t)”.
Description
Keywords
Şnitke, Viyola, Konçerto, Yaylı çalgılar, Başmet, Schnitke, Viola, Concerto, Strings, Bashmet
Citation
Ünaldı, E. (2020). Şni̇tke’ni̇n müzi̇kal sti̇li̇ ve vi̇yola konçertosu. Yayınlanmamış sanatta yeterlilik tezi. Bursa Uludağ Üniversitesi Sosyal Bilimler Enstitüsü.