2008 Bahar Sayı 10
Permanent URI for this collectionhttps://hdl.handle.net/11452/16358
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Browsing by Subject "Bilgi"
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Item Finite vs. absolute knowledge in German idealism: The case of art(Uludağ Üniversitesi, 2008) Kassabov, OgnianAesthetics plays a key though often neglected sysıematic role in the philosophies of Kanı, Schelling and Hegel. Their overall projects are nonetheless opposed in some important respecıs: while Kant attempts to secure the limits of human knowledge, Schelling and Hegel try to articulate an actually 'absolute knowledge'. I consider the treatment of art of each of these three figures as elucidating his position on the scope of knowledge. I suggest that the very limited role Kanı allots art is a direct consequence of his limits-of-knowledge position as daiming that we can presuppose but cannot cognize the actuality of the ideas of reason. Art as identity-within-difference gives a model for Schelling's 'absolute idealism', for which art is no subordinate form of cognition. Hegel's treatment of art shows that the highest reconciliation in the idea cannot entirely take place in something outside thinking.Item Hartmann's epistemology based on ontology and its contributions(Uludağ Üniversitesi, 2008) Zafer, Zeynep; Uludağ Üniversitesi/Fen-Edebiyat Fakültesi/Felsefe Bölümü.Hartmann's claim that the problems which occur as a result of giving more importance to the subject than to the object on the assumption that knowledge is a product of a relation which is constituted between the subject and the object can be solved by the illumination of ontology is a significant contribution to both ontology and epistemology. In this study the issues concerning with what does it mean to look at epistemology from an ontological point of view, where do the subject and the object take place in an act of knowing and what contributes us noticing the epistemic relations differ in each strata of Being are discussed in the direction of presenting the new ontology's difference from the old ontologies.